Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Monday, October 26, 2009

Dexter: Consider Me Hooked!


This weekend, I happened to come across a little show called Dexter on Showtime. Dexter has been airing since 2006 and is based on a series of novels written by Jeff Lindsay, yet due to the fact I was never fortunate enough to get Showtime, I was never able to watch it. Let’s just say, I’m incredibly thankful to get the pay channel now because I was thoroughly engrossed in the two episodes I watched and can’t wait to see where this crazy thing goes. There’s a spoiler at the end of this post so if you don’t want to know what happened in Sunday’s Dexter, consider yourself warned.

I realize I’m extraordinarily late in the game with the show, and there is a lot of catching up I’m going to have to do (Netflix here I come!). From what I gathered by watching the two most recent episodes (“Dex Takes a Holiday” and “Dirty Harry”), Dexter Morgan (Michael C. Hall) is a Miami police investigator with a wife, children, and a dark secret – he kills people, lots of people. However, he channels his psychopathic tendencies towards socially responsible murder. Dexter is a serial killer of serial killers; that is, he offs people that deserve it.

This moral ambiguity creates one of TV’s most interesting and complex characters, and Hall’s performance is mesmerizing to watch. He plays Dexter with an uncomfortable, anxious confidence that is a true extension of how layered and psychologically messed up this guy really is. In addition, Dexter gets advice and guidance from visions of his deceased father (James Remar). Yeah, there’s plenty here to keep a psychoanalyst busy for decades.

Dexter’s recent developments have him on the tail of an elusive serial killer nicknamed “Trinity” (played by subdued John Lithgow) who, in last week’s episode, shot his sister and killed an FBI agent she was involved with.

“Dirty Harry”, which aired this past Sunday, continued this story line and dealt with the ramifications of his sister’s shooting and how his double life is affecting his marriage. The extraneous goings on, such as the interoffice romances and other drama seemed clunky and paled in comparison to the main plot. I just found myself eagerly waiting for Dexter to pop back on my screen again.

However, the show's final moments were superb. Dexter locates Trinity and frantically attempts to chase him through a high rise office building only to lose him in the stairwell. However, Dexter manages to follow him by car only to discover that Trinity -- this sadistic serial killer who has been murdering for over 30 years -- is a suburban husband and father just like him. Dun, Dun DUN!

Chenoweth back on Glee, Madonna themed episode in the works!


Attention all Gleeks! According to recent reports, Kristin Chenoweth will be reprising her role on Glee in 2010, and I couldn't be more excited! Her guest spot was a highlight of the season so far, and Chenoweth is spectacular in everything she does.

In other exciting Glee news, Madonna apparently just released her entire catalog to the hit music series and the show runners are planning an entire Madonna themed episode to air later this season! That's almost fabulous overload right there! Everyone is speculating Quinn will be singing "Papa Don't Preach" but what about everybody else? I'm dying to know who will be singing what, so I'll be doing plenty of research and I will post any info as soon as it becomes available.

So TV junkies, what songs are on your wish list for Kristin Chenoweth when she returns to Glee? And, what should everyone sing on Madonna night??


Saturday, October 24, 2009

Sex, Lies and Procedurals


I was flipping channels late last night and I happened to come across a rerun of Law and Order: SVU on USA. I honestly haven’t seen a new episode of the procedural drama in a season or two (I sadly broke up with it in 2007 and haven’t looked back since), but I was quickly reminded of how much I loved Benson, Stabler, and the whole gang with only a few minutes of watching this repeat from the show’s second season. The episode was “Noncompliance”, and while it wasn’t the best SVU, it had the glimmers of excellence and eccentricity that would soon become the show’s trademark in the upcoming years.

While Benson (Mariska Hargitay) and Stabler (Chris Meloni) are the foundation of SVU, and their relationship and interplay provide some of the series' best moments, the strength of this Law and Order was always its unique and intriguingly disturbing brand of storytelling. At its finest, the show managed to straddle the ever so thin line between complexly fascinating and disgustingly twisted. You genuinely never knew where the writers were going to take you every week, and that was half the fun. The best episodes cleverly balanced the freakish and shocking with the emotionally gripping -- never tipping the scale too much in either direction, but masterfully playing the strengths of both sides.

However, as the show grew on in years, the writers seemed to lose focus and the stories became more and more mainstream. SVU ultimately lost its razor sharp edge. New characters came and went, and a revolving door mentality regarding guest stars tended to yield hit or miss results at best. It was a directional change that the show never fully recovered from, and sadly it’s now a shell of its former and amazing self.

But in honor of its prime when it was truly something fantastic and unlike anything else on the air, I’d like to raise a glass (which tonight is a robust Cabernet) to Law and Order: SVU. You have given us countless incredible (and, for lack of a better term, wonderfully fucked up) hours of television. Cheers!

Monday, October 5, 2009

Bye George

-Lauren

Can Grey’s get its groove back? On the heels of a season marred by preposterous storylines (ghost sex?!!), I went into the season 6 premiere with more than a little skepticism. I can’t say definitively whether or not my fears were unfounded, but there are certainly signs of promise.

The two-part season opener, titled “Good Mourning” and “Goodbye,” picks up immediately where the finale left off, with both Izzie and George flatlining, Izzie from complications of her melanoma and George from his injuries after being struck by a bus. To the surprise of no one who kept up with T.R. Knight’s much-publicized career announcement made over the summer, Izzie survives while George sadly winds up brain dead.

As expected, the main focus of the premiere surrounds George’s death and the remaining characters’ attempts to deal with the shocking loss of one of their own. Ordinarily, the death of a main character, and a much-loved one at that, inspires an episode with the emotional equivalent of a category 5 hurricane. Many shows pull this off effortlessly; however, I feel that Shonda Rhimes missed the mark somewhat with her farewell to Dr. O’Malley. Some may blame this on the fact that we knew all along that George would be the one to die. The problem, in my opinion, actually lay in the fact that many scenes that should have been ripe for potential drama ended up falling flat. The needless debate over whether or not to donate his organs and the oddly brief funeral scene are two moments that come to mind as wasted opportunities to truly explore the heartache of George’s death and, save for Callie and Bailey, few of the characters’ reactions held any real resonance. As was pointed out during the aforementioned badly-written funeral scene, there’s something off about the fact that the girl whose life he saved and who never even actually met him acted more devastated by his death than those who called him friend. That’s not to say that the storyline did not have any good moments: George’s mother, the always-wonderful Debra Monk, had a beautiful and tender scene with Kevin McKidd, as Owen told her about the great doctor and even greater man her son was; Bailey’s grief was palpable as the loss of one of her “babies” left her barely able to function. All things considered, though, George’s sendoff just didn’t do it for me and in the end he wound up being treated more like a Patient of the Week rather than a beloved character whom we have followed since the series inception. George, and T.R. Knight deserved better. Shonda Rhimes did, indeed, throw him under the bus.

Amidst their grief (which was arguable), the rest of our docs continued about their lives as several plot threads carried over from the previous season and were addressed as the episode as a whole chronicled a period of 40 days following George’s death. Meredith and Derek’s Post-It “wedding” still stands and the couple has yet to show signs of having a legal union conducted anytime soon. Well, to each their own. But, as several characters pointed out in an echo of the sentiments expressed by the majority of viewers, marriage via a yellow sticky note is not a marriage. Nor is it a viable or even reasonably interesting plotline, but I digress. Legally binding or not, our central couple seems to have no qualms about consummating their marriage—wherever and whenever. Of course, all of this off-screen nookie was just an excuse to have Ellen Pompeo away from the cameras to hide her then-pregnant belly (she and husband Chris Ivery welcomed a baby girl a week before the premiere aired), and Meredith’s lack of screentime was definitely noticed. Izzie, meanwhile, is discharged from the hospital as she is no longer in imminent danger with her cancer, but she still has cancer. It’s obvious she did not anticipate this—she figured she would either lose her battle with the disease or be cured. She did not expect to be a person who lives with cancer, and it’ll be interesting to see how she and Alex handle this new challenge. Izzie’s first challenge, though, will be getting her husband to open up to her. Alex is completely shaken by the fact that Izzie, for all intents and purposes, died in his arms in the finale and is still so terrified by the very real possibility of losing her that he now can’t bear to touch her. Love hurts.

Cristina and Owen, whose relationship was one of the few redeeming aspects of the fifth season, are working out their problems and addressing Owen’s PTSD and the choking incident in therapy sessions with Dr. Wyatt (Amy Madigan). Dr. Wyatt theorizes that Owen cannot make progress with his issues unless he can address them openly, and so she recommends the couple remain abstinent until such time as his relationship with Cristina distracts him from having to make an effort to do so. In other news, Mark moves into a new apartment, conveniently located directly across the hall from Cristina and Callie’s place—much to the dismay of Lexie, who is not particularly comfortable with her boyfriend in such close proximity to his “hot ex-sex friend.” Callie, when not inadvertently undermining Lexie’s confidence, is so infuriated by the Chief’s passing her over for an attending position that she opts to bid adieu to Seattle Grace and transfers to Mercy West—where the Chief winds up when he gets into a minor car accident. Chief Webber’s a little distracted these days. The Seattle Grace board of directors, led by Mitch Pileggi in a return appearance, has plans for Webber to step down as chief of surgery, seeing as the hospital’s ranking of number 12 has not improved and Webber is nothing more than an ineffectual boob in a corner office. Okay, I added that second part, but let’s call a spade a spade: Webber has become utterly useless. Someone really needs to tell him that sitting in his office and pouting about needing to make changes is not the same as actually changing anything. But he’s about to do something now—after assessing the apparent well-oiled machine of Mercy West, he comes up with a “plan” to save Seattle Grace. Namely, having the two hospitals merge, which means some people are going to be handed their walking papers in order to make room. Ineffectual boob no more, eh?

In all, I’d give the season premiere a B-minus. Considering this was supposed to be the Big George Episode, I actually enjoyed all of the scenes and the storylines that didn’t involve his death more. Will Alex and Izzie’s marriage actually work out? For that matter, will Derek and Meredith even get married for real? Given this show’s track record for marriage, it’s probably for the best that they don’t.